91ÊÓƵרÇø

²µ²¹¾±²µ´Ç²Ô²µ²õ¾±³ú³ó´Ç²Ô²µ²µ³Ü´Ç±ç³Ü³æ¾±²Ô²µ³ú³ó±ð²Ô²µ³ú´Ç²Ô²µ³¦²¹¾±³Ù²¹²Ô²µ²â¾±³ú³Ü´ÇÂá¾±³Ü³ú²¹¾±Âá¾±±ð²õ³ó´Ç³Ü¡¶²µ³Ü²¹²Ô»å¾±²¹²Ô»å¾±³¦³ó²¹²Ô·É²¹²Ô²µ¡·³¦²¹¾±´Ú²¹²Ô²µ²õ³ó¾±²ú¾±²¹´Ç²õ³ó¾±£¬³¦³Ü¾±³ó³Ü²¹²â²¹´Ç¡°±ô²¹´Ç²µ±ð³æ¾±²Ô³¦³ó²¹²Ô²µ¡±¡£³¾³Ü±ç¾±²¹²Ô³¦²¹²Ô³Ù¾±²Ô²µ³ú³ó³Ü»å²¹»å±ð»å²¹²Ô±è¾±²Ô²ú²¹´Ç°ì³Ü´Ç²õ³ó±ð²Ô³ú³ó¾±³¦³ó²¹²õ³ó²¹´Ç´Ú²¹²Ô¡¢³¦³Ü¾±³ó³Ü²¹²Ô²¹¾±²â´Ç³Ü³ú³ó³Ü»å±ð²Ô²µ£¬³ú²¹¾±³æ¾±²¹²Ô²õ³ó²¹²Ô²µ²â±ð³ó³Ü¾±³Ù´Ç²Ô²µ²µ³Ü´Ç»å²¹³ú³ó´Ç²Ô²µ»å¾±²¹²Ô±è¾±²Ô²µ¡¢»å´Ç³Ü²â¾±²Ô»å±ð²Ô²µ²â¾±±ô¾±²â´Ç²Ô²µ¡°·É²¹²Ô²µ³ó´Ç²Ô²µ³æ¾±²¹´Ç²â¾±²Ô²µ¡±±ô²¹¾±±ô²¹»å´Ç²Ô²µ´Ú³Ü²µ´Ç³Ü£¬²ú¾±²Ô²µ²â³Ü±ç¾±³Ù²¹±è¾±²Ô±è²¹¾±Âá¾±²Ô³æ¾±²Ô²µ±ô¾±²¹²Ô³¾¾±²Ô²µ²â¾±²Ô²µ³æ¾±²¹´Ç¡£³ú³ó³Ü²â²¹´Ç²ú²¹´Ç°ì³Ü´Ç²ú±ð²Ô±ð°ù»å²¹²Ô?±ô±ð¾±²õ³ó´Ç³Ü³Ù¾±Âá¾±»å´Ç²Ô²µÂá¾±¡¢³Ù³Ü¾±³ó±ð¾±²õ³Ü³ó±ð³Ù³Ü¾±³ó±ð¾±²õ³Ü²õ³ó´Ç³Ü³Ù¾±Âá¾±»å´Ç²Ô²µÂá¾±¡¢²õ³ó¾±²â³Ü²õ³Ü²õ³ó´Ç³Ü³Ù¾±³ú³Ü´Ç°ì²¹²Ô²µÂá¾±³ó±ðÂá³Ü²â´Ç³Ü³¦³Ü¾±³¾¾±²¹²Ô³æ¾±²¹´Ç²â¾±²Ô²µ»å±ð°ì²¹²Ô²µ²â¾±²â³Ü²â²¹´Ç·É³Ü»å±ð²Ô²µ¡£

As vividly costumed as anything from the Weimar Republic ¡ª and a broken fourth wall ¡ª these sketches are as relevant now as when Brecht wrote them. They cover class struggle, poverty, accumulative capitalism, religion and war, and crucially how they all relate to one another.

lianyungangdetianyoushihoukanqilaihuimengmengde£¬liandaizhuohaiyexiandeanchen¡£buguoxiawusansidiankaishidehaijinghuibizaoxieshihouhaokanhenduo¡£zaihaiyifanggongyuankenengbijiaowuliao£¬yinweipangbianxidadigongludeyuanyingengxiangyigedahuerbuxianghai¡£ruguobushizijiadehua£¬jingdianzhijiandejiaotongkenenghuiyouxiemafan£¬xuyaohuafeijiaoduoshijianzaitongxingshang¡£yincijianyitiqianguihuahaoxingchengbingxuanzeheshidejiaotonggongju¡£zuijinbentian yagegensuipasatedejiaobu£¬tongyangjiangdaoliao12wanyuanji£¬bieke junweigengshijiangdaoliao10wanji£¬nandaoheziBjiyeyaokaozhuodijiazhongxinqifei£¿

Àú(³¢¾±)Ê·(³§³ó¾±)ÊÇ(³§³ó¾±)ÓÉ(³Û´Ç³Ü)ʱ(³§³ó¾±)´ú(¶Ù²¹¾±)µÄ(¶Ù±ð)ºÏ(±á±ð)Á¦(³¢¾±)ÍÆ(°Õ³Ü¾±)¶¯(¶Ù´Ç²Ô²µ)·¢(¹ó²¹)Éú(³§³ó±ð²Ô²µ)µÄ(¶Ù±ð)¡£²»(µþ³Ü)ͬ(°Õ´Ç²Ô²µ)µÄ(¶Ù±ð)ʱ(³§³ó¾±)´ú(¶Ù²¹¾±)£¬ºÏ(±á±ð)Á¦(³¢¾±)²»(µþ³Ü)ͬ(°Õ´Ç²Ô²µ)£¬Õâ(´Ü³ó±ð)¾Í(´³¾±³Ü)ÊÇ(³§³ó¾±)Ϊ(°Â±ð¾±)ʲ(³§³ó¾±)ô(²Ñ±ð)ÿ(²Ñ±ð¾±)Ò»(³Û¾±)¸ö(³Ò±ð)ʱ(³§³ó¾±)´ú(¶Ù²¹¾±)·¢(¹ó²¹)Éú(³§³ó±ð²Ô²µ)µÄ(¶Ù±ð)Àú(³¢¾±)Ê·(³§³ó¾±)£¬ºÍ(±á±ð)ÒÔ(³Û¾±)Ç°(²Ï¾±²¹²Ô)Ôø(´Ü±ð²Ô²µ)¾­(´³¾±²Ô²µ)·¢(¹ó²¹)Éú(³§³ó±ð²Ô²µ)¹ý(³Ò³Ü´Ç)µÄ(¶Ù±ð)Àú(³¢¾±)Ê·(³§³ó¾±)£¬¶à(¶Ù³Ü´Ç)Êý(³§³ó³Ü)²¢(µþ¾±²Ô²µ)²»(µþ³Ü)»á(±á³Ü¾±)Íê(°Â²¹²Ô)È«(²Ï³Ü²¹²Ô)Ïà(³Ý¾±²¹²Ô²µ)ͬ(°Õ´Ç²Ô²µ)£¬×Ü(´Ü´Ç²Ô²µ)ÊÇ(³§³ó¾±)ÓÐ(³Û´Ç³Ü)Çø(²Ï³Ü)±ð(µþ¾±±ð)µÄ(¶Ù±ð)£¬Éõ(³§³ó±ð²Ô)ÖÁ(´Ü³ó¾±)ÊÇ(³§³ó¾±)Ïà(³Ý¾±²¹²Ô²µ)·´(¹ó²¹²Ô)µÄ(¶Ù±ð)¡£Õâ(´Ü³ó±ð)¾Í(´³¾±³Ü)ÊÇ(³§³ó¾±)Ϊ(°Â±ð¾±)ʲ(³§³ó¾±)ô(²Ñ±ð)˵(³§³ó³Ü´Ç)£¬Î´(°Â±ð¾±)À´(³¢²¹¾±)ÎÞ(°Â³Ü)·¨(¹ó²¹)Ô¤(³Û³Ü)²â(°ä±ð)£¬Ò»(³Û¾±)ÇÐ(²Ï¾±±ð)½Ô(´³¾±±ð)ÓÐ(³Û´Ç³Ü)¿É(°­±ð)ÄÜ(±·±ð²Ô²µ)¡£

ÕâÊÇÅ·ÖÞÀÏÅÉÕþÖÎʱ´úµÄÖսᡣ¼°Î÷ɳ¡¢ÖÐɳºÍÄÏɳȺµº¸½½üº£Óò¡¸¹íÃ𡹵¶´åƪ3 ϼÖùÖØÉ˱»ÇÜ Ì¿ÖÎÀÉÔÙ¿ª°ßÎÆËÀÕ½...¹íÃðÖ®Èж͵¶´åƪµÚ°Ë¼¯ÔÚÏß¹Û¿´ ¹íÃðÖ®Èж͵¶´åƪµÚ8...

¶àÊýÈ˶¼Ã»ÓÐ×öµ½¼«ÖµÄÊÂÇéÄãÈôÓÐÌì·Ö¿ÉÒÔÔÙŬÁ¦Ò»Ï°ÑËü×öµ½¼«ÖÂ

ÉùÃ÷£º¸ÃÎĹ۵ã½ö´ú±í×÷Õß±¾ÈË£¬ËѺüºÅϵÐÅÏ¢·¢²¼Æ½Ì¨£¬ËѺü½öÌṩÐÅÏ¢´æ´¢¿Õ¼ä·þÎñ¡£