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测耻箩耻补苍诲别驳耻蝉丑颈驳别颈飞辞尘别苍诲补颈濒补颈濒颈补辞蝉丑别苍办别诲别辩颈蝉丑颈。锄补颈锄丑别驳别箩颈苍驳锄丑别苍驳箩颈濒颈别诲别蝉丑别丑耻颈锄丑辞苍驳,诲耻辞蝉丑补辞苍颈补苍辩颈苍驳谤别苍虫颈补苍驳测耻箩耻补苍测颈测补苍驳,飞别颈濒颈补辞锄丑耻颈辩颈耻测颈虫颈别肠丑别苍驳箩颈耻别谤产耻虫颈迟辞耻锄丑颈蝉丑别苍迟颈箩颈补苍办补苍驳。蝉补苍:丑耻补苍驳谤辞苍驳濒补苍蝉丑补飞耻驳耻,苍颈耻箩颈补肠耻苍诲耻颈蝉丑补驳耻辩颈蝉丑补虫颈苍;
要(驰补辞)说(厂丑耻辞)娱(驰耻)乐(尝别)圈(蚕耻补苍)还(贬耻补苍)有(驰辞耻)谁(厂丑耻颈)能(狈别苍驳)抗(碍补苍驳)得(顿别)住(窜丑耻)来(尝补颈)自(窜颈)老(尝补辞)婆(笔辞)和(贬别)情(蚕颈苍驳)夫(贵耻)双(厂丑耻补苍驳)重(窜丑辞苍驳)的(顿别)爆(叠补辞)料(尝颈补辞),
aodizhuangchengzheyang,4sdianshuobuyanzhong,liangxingqihoujiedaoyigedianhua,tahuangliao《hualiaomoshoushijiebiannianshi》disanqi:wanshendiandefumieyuranshaodeyuanzhengyuanchuang2017-03-16 17:29·NGAwanjiashequbenwenlaiyuanNGAaizelasiyishiting,benwenzuozhe:nanzuoLeebenwenxiejueyiqiezhuanzai,jinzai178wowyuNGAfabiao。qianyandisanqigengxinla,shangqicuigengdexiaohuobanhaoduoa,dengwoba7.2deneirongzuowan,jiuzhuanxinxiezhege,zhengquyizhoulianggeng!shangqixiedaowanshendiandetaitanmenjiejueliaoyashaji,bingqieweiaizelasidailailiaoxinzhixu,zheqijiangjiangshushouhuzhezhijiandegushi、wanshendianfumieyijiranshaoyuanzhengdekaishi。wanshendiandeliqushouhuzhemendenulilingwanshendiangandaoxinwei,yushitamenpobujidaidixiangyaoquxunzhaoyuzhouzhongqitachushengdetaitan。shouhuzhemenyiyibushediduizijidezaowuzhudaobie,tongshiyeduizijinenggouliuxiashouhuaizelasiergandaojiaoao。luokenhemimierlongchuangzaoliaoyitaomingjiao“nuogannongyuanpan”demofashenqi,yonglaijiluaizelasidelishi。tangruowanshendianhuilaidehua,yekeyitongguozhetaoshenqiduiaizelasidelishiliaodeyiqingerchu。amansuerliquqian,zhiding“xingshengaoerjialong”churenaizelasidetianshenshouweizhe。tayaozuodejiushizaiguanjianshikeanxiazhongqijian,jiangshijieshangsuoyoushengmingyufuhuazhilichedixiaochu。taitanxiangjinbanfalaiqiangjiuaizelasi,ertamenjiexialaijiushiyaodengdaishijiezhihundesuxing。zuolakelongzaiaizelasimanchangdesuiyuezhong,dibiaoshangdanshengliaowushudeshengmingxingtai。qizhongzuiweiyemanyujiaohuadebianshishizulong,raneryouyitiaoshizulongdexiongcanyuhuimiezhililingsuoyoutongleiwangchenmoji,tademingzishizuolakelong。tadeshenxingwubijuda,paidashuangyibiannengyipingzhengzuosenlin,tadaizhuoyongbumanzudeshiyu,tunshizhuoyiqiemubiao。danshibuluntachixiaduoshaoliewu,rengshiyuzuonanman。tashenzhiduitongleixiashou,lianshitidubufangguo,cishitadetounaoyushentishoudaosilingliliangdeniuqu,congtashentilichangchujixingdezhijieyushushizhiyanjing。silingzhilishenrudaotaliewudetineizhihou,lingqisierfusheng,bianchengwunaozenge。 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顶着这么多雷,《延禧攻略》竟然也火了?原创2018-07-26 09:23·桃桃淘电影坦白说,《延禧攻略》能火,我是真没想到。因为,在这个剧上映之前,我已经听到了太多吐槽的声音,大家都盼着这个剧糟糕、盼着这个剧砸,结果呢,人家还是火了。当然,还是要表明态度,我们无意为这种剧摇旗呐喊,也不想为其站台,只不过,对于这种现象,还是打算聊一聊的,并试图去探讨,这样的剧,顶着这么多雷,为什么,也能火?于是,我再次请来我们的国产剧爱好者:猪猪女孩。看她是怎么聊《延禧攻略》的呢,接下来,请开始她的表演。上个周末,室友小美神秘兮兮地对我说,哎,你看《延禧攻略》了没?什么?就,宫斗啊。恩?经过《金枝欲孽》和《甄嬛传》等 “宫斗剧教科书”的洗礼,怀着一丝“好久没看过清宫剧”的期待,我点开了这部最近似乎还有点热度的新剧。短短几天,播放量还可以。(数据来源:vlinkage)然后看到第一个镜头,出品人赫然写着:于正。我方了。于正是一个怎样的存在呢?热度+烂剧+抄袭+博出位。即使没看过于正的剧,在戏外,和他有关的事也足够“八卦博主”们津津乐道好几天,与唐人的大型撕x事件,还有和琼瑶的“抄袭门”,都让人对语出惊人的“于妈”心有余悸。靠作品?除了《美人心计》还说得过去。他的作品在豆瓣的画风都是这样的。这样的。还有这样的。而提到“于正剧”,除了晃瞎人24k合金眼的阿宝色,大多数人都是,呵!(这镜子是公举过家家吗!)但,怀着所有剧都是素材,没有作品不能被解读的心情,我用2倍速,连续看了7集《延禧攻略》,然后就没停下来。此处应有表情包。单从剧集看,让人吐槽的地方还是挺多的,比如女主演傻子骗过高贵妃的这段,让人忍不住怀疑,高贵妃才是傻子。但,辣眼睛嘛,倒也没有。竟然没有???!于是我第一时间怀疑了自己的审美,是不是被《流星花园》弄瞎了。我去了豆瓣,和同期的相比。比《扶摇》高了整整两分。相比近期的古装剧,别的都这样:这难道是所谓“对手弃赛了,躺赢”?但看看下面评论,匪夷所思啊。这是于妈变了,还是观众宽容了?都是,好像,又都不是。《延禧攻略》的出现,本身是特别“讨巧”的存在。怎么样才叫“讨巧”?通俗点说,“知道你想要什么,然后都给你。”首先,和前几部“于正剧”不同,《延禧攻略》从题材上,回到了于妈最擅长的——清宫剧。作为被《还珠格格》启蒙的一代,当下大多数年轻人对“宫廷剧”的审美启蒙,是由“清宫戏”完成的,因此,“清宫题材”会降低人们接受难度。当然,《延禧宫略》号称在细节上还原“清代历史”,比如第一集对清代“三个耳坠”的解释以及妆面。(思慧,你是怎么了思慧?)甚至在摄影和构图上,都有一种极力接近东方古典美学的“刻意感”。中间选秀时透过窗棂侧拍的一段长镜头,也有致敬《末代皇帝》的嫌疑。但,这是什么值得称道的吗?不是。作为一部顶着“清宫戏”噱头的剧,在细节上尊重、靠近历史,不是首要做到的吗?但以上的这些“刻意”,却依然圈了不少粉。为什么?因为受众们“怕了”,近几年的古装剧,动辄就抠图,韩式大平眉,涂个咬唇妆,让观众怀疑自己是傻子,就这么好忽悠?(求口红色号?)因此,《延禧攻略》讨的第一个巧,是其“态度”, 虽然调色和摄影都像极了“古风写真”,但,这种刻意的态度让人觉得“这部剧至少是在努力啊。”而这点,除了吸引到“喜爱古风”的人,也吸引了一部分对“抠图剧”嗤之以鼻的受众的目光。但这就够了?当然不够。当初于妈试水大银幕的《宫锁沉香》,镜头和《延禧》也很接近,但依然被吐槽得渣都不剩。《延禧攻略》的剧情,也是“讨巧”的。故事开始于女主魏璎珞也就是令妃(没错,就是那个《还珠》里的心机girl)进宫为姐复仇。“宫斗”中加入了一条 “悬疑”线,这条线的主要目的,就是制造“悬念”,一旦将你的好奇心吊起来,也就成功了一半。而这条线,后期应该会合并到“宫斗”之中。何谓“宫斗”?“一群女人的战争”。“女人”是谁?是电视剧主要的受众群,也是电视剧最想“讨好”的群体。在我国当下的电视剧环境里,偶像剧、玛丽苏剧满足女性“天马行空”的爱情想象,但“职场戏”顶着“职业”名号大谈恋爱,对“女性关系”的表现是苍白的。而“宫斗剧”由于发生在“后宫”这个中国古代相对封闭的空间,反而对“女性”有了很多表现的可能,曾经《金枝玉孽》就被喻为“女白领职场厚黑学”。“宫斗”最重要的是什么?女性群像。从《甄嬛传》到《武媚娘传奇》再到如今的《延禧攻略》,“女性群像”,绝对是宫斗剧最先吸引“女性观众”的点。“宫斗剧”所满足的———让“女人”更了解“女人”。但,14年前的《金枝玉孽》诠释了“女人斗争”之复杂,《甄嬛传》里“女性角色”之丰富,《延禧攻略》对女性的塑造,依然很套路,很于正。唱昆曲的“高贵妃”和后期必将“黑化”的娴妃,这些人设,在于妈早期作品《大清后宫》以及其他宫斗、宅斗剧中,似曾相识。“女主”光环依然熠熠发光,让人觉得那些拿了“配角剧本”还妄想打败女主的角色们简直是不自量力。但是,这些“女人”中,也有几个“讨巧”的点。不是想看“大女主”吗?女主魏璎珞,规避了之前被疯狂吐槽的两点,一是“玛丽苏”,二是“傻白甜”。不是绝对“腹黑”,也不是前期被狂虐后期“复仇”,魏璎珞所代表的,是一个内心善良但性格坚强的女人,她绝不受欺负,头脑清醒。和皇帝、傅恒的第一次交手,聪明才智还要胜过男性,这不就是现代女性在人际和职场中对自己的想象和期待吗?诡异的地方在于,你明知道她在说“邪门歪理”,但当看到她的“小聪明”居然能骗过人的时候,依然能有一种满足感。为什么?爽啊!因为女主是依靠“自己的脑子”在全程开挂啊,以往每次看都女主前期被虐惨,心说如果换成我,我一定不会忍气吞声的女性观众们,这次可以得到满足了。带有一点理想主义的希望,《延禧攻略》告诉女性,一个坚强善良又睚眦必报的女人,也许会开挂哦。因此“女主”的讨巧,本质上还是在迎合着当前“女性受众”喜欢 “爽文”、“爽剧”的心理。而带有点不可说的“纯妃”与“皇后”的线索,其实对“女性主义”的一种表现,《七月与安生》曾证明了女人间的复杂多变,因此,这种“出了“男人”还有“姐妹”的“女性主义”,都会引人(女人们)会心一笑。但,《延禧攻略》剧情越往下,“璎珞”与“傅恒”、“乾隆”的三角恋,必然不会跑出“二男争一女”的套路,而加入了感情线,后期能否保持女主的人设,悬。而许多人感动的帝后cp,其实也十分不合理,比如皇帝拿立太子的折子安慰皇后,可明明皇后都已经伤心了三年,如今才拿出来,这三年皇上是一直在看戏吗?但这种若有似无对历史的靠近,却又抓住了人们对“历史好奇”的心理。“戏说历史”的妙处在于,一切仿佛都有迹可循,又好像是重新开始。历史是冰冷的文字,但我们希望能在纷纭复杂的历史事件之中,拨开迷雾,看到真真正正的人。因此,对细节的塑造,是让人遐想的,《延禧攻略》利用与“历史”千丝万缕的联系,成功把“乾隆”和“后妃”们,在谈资中鲜活了起来。同时,本剧节奏还算正常,虽然逻辑有问题但可以自圆其说,没有拖后腿。而其美学上的改变,对 “历史”遐想,迎合女性受众对“自我”的期待与认同,《延禧攻略》步步到位,摆明了就是——“讨你欢心”。你可以说这次于正妥协了,也可以说,因为观众的需求被忽视太久,她们变得容易“被讨好”。但除此之外,《延禧攻略》的走红必须感谢的,还有对“于正”的印象。如果此前的于正剧们,“败也于正”,那么此次的《延禧攻略》,生动实践了什么叫“成也于正”,《延禧攻略》的诸多好感,本身也建立在一个较低的“起点”——对“于正剧”的负分期待上。正因为之前对“于正剧”的印象已经差到“人神共愤”,继而触底反弹,《延禧攻略》只是表现正常,就给人一种“还不错”的观感,于是,观众这次没太过苛责。顶着先天的缺憾,《延禧攻略》“火”了,但这种状态却让人高兴不起来。因为,如果有一天所有的国产剧都要先降低期望再重获好感,这才意味着,我们会离高质量的电视剧,越来越远。今年前4个月,我国电动载人汽车、锂电池、太阳能电池“新三样”产物合计出口3534.8亿元,同比增长72%。出口全球200多个国家和地区,拉高了出口整体增速2.1个百分点。胭脂夫人最新章节冲胭脂夫人醉酒微酣冲胭脂夫人小说免费...
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